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What can I do to prevent this in the future?If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware.If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Navigation� Basics� I.P.+� Recommended Gear� Store� Youtube� Featured Articles� Landscape and Wildlife Photography� Portrait Tips� Sports Photography� Photo Locations� Post-processing� Gear Reviews� Night Photography� Business of Photography� Podcasts� Improve Photography Podcast� Improve Photography Podcast Show Notes� Tripod: Nature Photography Show� Tripod Show Notes� Photo Taco Podcast� Photo Taco Show Notes� Portrait Session Podcast� Portrait Session Show Notes� Search � Basics� I.P.+� Recommended Gear� Store� Youtube� Featured Articles� Landscape and Wildlife Photography� Portrait Tips� Sports Photography� Photo Locations� Post-processing� Gear Reviews� Night Photography� Business of Photography� Podcasts� Improve Photography Podcast� Improve Photography Podcast Show Notes� Tripod: Nature Photography Show� Tripod Show Notes� Photo Taco Podcast� Photo Taco Show Notes� Portrait Session Podcast� Portrait Session Show Notes� Search Black and white night photographyThis post is in response to a question from Matthew Tapley, who is interested in learning how to improve his black and white photography skills.

I hope this article has information that is valuable enough to you that you�d consider sharing it on Facebook or Twitter.Black and White Photography Tip #1:�Shoot in RAW. Many times when I shoot for black and white, the photo just doesn�t turn out right when I finally review it on the computer.

By shooting in RAW, you�ll be able to change your mind later if the photo wasn�t as great in black and white as you�d hoped.Black and White Photography Tip #2: Give your photo some Silver Effex. Silver Effex Pro 2 is a Photoshop or Lightroom plugin that does one thing�make black and white photos look incredible. In theory, you could replicate everything that Silver Effex Pro 2 does using Photoshop, but I have to confess that I have never been able to do it. Black and whites look absolutely stunning in Silver Effex Pro 2.

The program is a bit pricey, but it is worth the money if you love black and white. In fact, when I look at black and white produced by other photographers, I like to think I can tell if Silver Effex Pro 2 was used on the image.

Check it out here.Black and White Photography Tip #3:�To visualize in black and white, only pay attention to lines, shadows, and shapes. This trick is very helpful to aid photographers in pre-visualizing a black and white image even though we live in a color world.Black and White Photography Tip #4:�Pay special attention to noise.

With the outstanding low light performance of modern DSLR cameras, in addition to the noise removal programs at our disposal, photographers are used to getting away with noise.Black and White Photography Tip #5:�Look for contrast. In my experience, the best black and white photos usually have some portion of the photo that is near to pure white, and some portion of the photo that is near black.

This increased contrast adds interest to the scene.Black and White Photography Tip #6:�Find a wide range of grays. Having white and black in the image will help add interest to a picture, but if other areas do not have a wide range of varying tones of gray, the photo will most likely look dull. You can achieve a a wider range of grays by using flash to throw highlights and shadows over certain areas of the photo.Black and White Photography Tip #7:�Use a polarizer.

When shooting around reflective surfaces such as water or leaves, use a polarizer to cut the reflections of the sun�s light. When color is removed from the photo, these specular highlights can be distracting the overall composition.Black and White Photography Tip #8:�Watch for texture. As long as texture is not front-lit, it will show contrast in fine details, which makes it a compelling subject for black and white.

This is why black and white photos of old items such as barns or antiques are so compelling�they have a lot of weathered texture.Black and White Photography Tip #9:�Use the correct terminology: Black and white, monochrome, grayscale.

�Monochrome� means that a color is placed on a neutral background. Therefore, black and white images, which put black on a white background, are a type of monochrome image. Grayscale is merely a way to show black and white images on a computer, which uses a reduced set of shades of gray.Black and White Photography Tip #10:�Look for patterns.

Patterns are interesting because of their ordered repetition. Color merely distracts us from giving the pattern our attention. By using black and white, images of patterns are far more compelling. Once you start looking for patterns to shoot in black and white, you�ll notice them everywhere: cars in a parking lot, the shoes of a wedding party standing in line, or a row of bushes. "Drama in the Skies" - by Jim HarmerBlack and White Photography Tip #11:�Long exposures love black and white.

I read this tip on the fantastic Digital Photography School website and decided to try it on an image that I took a few months ago.�� Subscribe� Digital Editions� Print subscriptions� Back issues� RSS Feeds� Latest� Latest news� Latest articles� Latest announcements� Opinion� Equipment� DSLR reviews� Compact reviews� Compact system camera reviews� Lens reviews� Accessory reviews� Book reviews� Sample Images� Buying advice� Round ups� Camera round ups� Camera comparisons� Lens round ups� Accessory round ups� Technique� Camera skills� Expert advice� Interviews� Landscape photography� Macro photography� Photo editing� Portrait photography� Wedding photography� Wildlife photography� Photo appraisals� Iconic images� Photo insight� The Video Mode� Forum� Visit forum� Register� Gallery� Competitions� APOY Learn how to shoot black and white photographs with our expert�s advice on black and white photography Black and white photography: See in tonesOur eyes see in colour but to be successful in black and white photography it�s important to train them to see the world as tones of grey.A red flower in a green field may look great in colour, but when converted to mono, if those colours reproduce as the same shade of grey the result will be a very dull picture.It takes time to develop an eye for mono.

One way to help it along involves taking a photographic grey card out and comparing it with objects you encounter. Ask yourself, would that colour be lighter or darker than the grey card?The best black and white photography exploits the differences in tone between elements in a scene, which can either be photographed �straight� or manipulated either by using on-camera filters, or Photoshop.

Great black and white photos also make good use of shapes, textures, lines and lighting, to compensate for the loss of colour. Black and white photography: AtmosphereFog, mist and haze all have the potential to lower subject contrast and create a soft, romantic feel to an image.When it�s misty or foggy out, the world is almost transformed into a naturally monochrome wilderness populated with enchanting tones and an eerie stillness.

Bearing this in mind, why not get out and about next time a mist rolls in off the sea or a fog settles for the evening?Remember that objects and features closer to the lens will tend to show heavier tones than elements that are further away, so bear this in mind when composing your shot. Black and white photography: The classic subjectsParing down the image to a range of simple tones often leads to a purer rendition.The classic subjects for mono treatment include documentary, landscape and portraiture.Travel photography lends itself to a documentary approach rather than just a record of tourist attractions.Alternatively choose a subject close to where you live, and remember to visit often and shoot plenty so that you can build up a story over time.Portraits often look stronger in black and white because, without the distraction of colour, the emphasis is on character, expression, and revealing �the soul� of the subject.When reducing landscapes to monochromatic tones the composition becomes more important than ever.

Make the most of your foreground, remember to include a focal point, and use leading lines and graphic shapes where black and white photography tips and techniques can make a brooding feature out of an overcast sky so it�s a good way to go when the weather is against you. Black and white photography: Create contrastTonal contrast is important in all types of photography, but especially in black and white photography.

Whether a low contrast image a high one the contrast level can have a profound effect on the mood and atmosphere.A natural way to add contrast to your image is through choice of subject.Even if the lighting is dull, a well-chosen muse will offer a striking tonal contradiction. For instance, a black sheep among a white flock will naturally be a source of contrast.The quality of the light and its direction are two other important factors that will influence the amount of contrast present in a scene.Out of doors direct sunlight creates hard shadows that offer plenty of opportunity to create images with strong contrast.You can influence the direction of the light by moving your position and shooting at certain times.

Low angled light, for example, helps define form and makes for interesting shadows, so try shooting in the morning or late afternoon. Black and white photography: Using in-camera black and whiteUndoubtedly the speediest way to produce a black and white photo is to let your camera handle the conversion.Most DSLRs have a monochrome mode so it�s worth exploring this creative alternative.You�ll need to use your camera�s menu system to access the processing parameters.

Here, in addition to contrast and sharpness you can play around with coloured filters. Yellow or green can be good for skin tones, whereas red can cut through the haze in distant views.Many models also boast funky toning effects � try sepia for a vintage feel, while blue can add a cool tint to an architectural scene.In-camera black and white, although the fastest method ofWhat can I do to prevent this in the future?If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware.If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. � Pin itCredit: Jana by LudovicMazetThey can be used on many different scenes as it�s not required to think about all the colors that should look good together and match the amount of light available.

And for those who love to play with color, black and white photography doesn�t necessarily need to be boring as there are so many different shades to choose from.Gray scale is a spectrum of black and white which evolves into shades and different depths of gray.

So when we speak of gray scale we speak of how we measure tones of gray. Here are five tips you might need to know when it comes to Black & White Photography.1.

Use RAWIf you have the opportunity to use RAW, do it! It will open up many new possibilities and give you more control of the image�s appearance.The negative aspect of RAW files is that it needs to be processed later.

If you use RAW files, your computer, rather than your camera will process the records and generate a picture file from it. You can for instance use Adobe Photoshop to process the images.If you don�t have that function on your camera, then don�t worry, carry on reading and you�ll see that there are plenty of other ways to get great black and white photographs. � Pin it2. Pattern and TextureRich textures and detailed sceneries will help your photograph become comprehensible and exciting.Patterns are lucky in black and white photographs as colors aren�t taking the attention from them.

So if you want to take a shoot where you�d like to emphasize on the patterns, then choose black and white tones instead of color. � Pin it3. ContrastWith the help of light you can get great contrast. Contrast will bring the tonal differences in your photography as you can�t use color. With side lighting, for instance, you�ll get longer shadows.Contrast is important because when there is a distinct contrast, with dark shades and bright light, you�ll be able to see things you didn�t see before. � Pin it4.

ISOIn photography, an ISO number is an indication of the sensitivity of the image sensor, where a higher number indicates higher sensitivity. The higher the ISO is the more are the possibilities to take pictures in low light, without the usage of flash.For black and white photography, use the lowest ISO.

When you use high ISO the noise will become more obvious. Noise in photography is like the �grain� in film, where the film doesn�t become as smooth as you�d wish. The higher your ISO is, the more unpleasant dots will show in your photo.

Therefore shady and dim days are actually great for black and white photographs. � Pin it5. SubjectsBlack and white photography can basically look good in most occasions and circumstances.� Monochrome photographs are good at bringing a sensitive experience and story into a shoot, they tend to bring depth and give us the chance to explore an object or person more strictly due to the graphic elements that it conveys (especially thanks to a good contrast).

Therefore it�s also well-matched for abstract photos.� When taking pictures of large spaces, like landscapes or foliages; make sure that the same tone isn�t flowing through all the elements in your photography as this will give it a rather boring and dead look. Most black and white images are supposed to be dramatic and leave a striking impact on the viewer.One way of doing this is by finding a movement, like an unsteady wave in a sea or a moving sky.

Something that isn�t really all that dramatic in real life can become much more intense when a glimpse of it is caught on camera.� One single subject is the most popular choice for black and white photography. This goes mostly for portraits, here you can really emphasize on the affect that the gray scale will bring to the person�s expression. � 2007‐2016 Hongkiat.com (HKDC).

All Rights Reserved.Reproduction of materials found on this site, in any form, without explicit permission is prohibited. Publishing policy ‐ Privacy Policy��� � Explora Home� Photography� Video� Audio� Computers� Home Entertainment� Mobile� Videos� Shop Categories� Photography� Computers� Pro Video� Lighting� Pro Audio� Mobile� TVs & Entertainment� Camcorders� Surveillance� Optics & Outdoor� Audio-Visual� Used Dept� Pro Audio� A/V Presentation� Binoculars & Scopes� Computers� Darkroom� Digital Photography� Cameras & Photo Gear� Lighting & Studio� Filters & Accessories� Home & Portable Entertainment� Video & Surveillance� Cashin your Gear Most orders* over $49 qualify for .Orders placed after 4pm on weekdays will not ship until the next business day.

Orders placed after 12pm Fridays will not ship until the following Monday.Faster shipping methods may be available; just upgrade during checkout.*Some exclusions apply.Close � All� All� News� Buying Guides� Reviews� Tips� Features� Photography� News� Buying Guides� Reviews� Tips� Features� Video� News� Buying Guides� Reviews� Tips� Features� Audio� News� Buying Guides� Reviews� Tips� Features� Computers� News� Buying Guides� Reviews� Tips� Features� Home Entertainment� News� Buying Guides� Reviews� Tips� Features� Mobile� News� Buying Guides� Reviews� Tips� Features� Videos Black and white was once the only means we had to communicate, photographically.

That was long before most of us got involved with it. But for some of us, B&W is how we started off in photography, and how we saw our images in print. But since the beginning of photography, black and white has been a very romantic medium. That romance continues to this day, with black and white easier and simpler to do than ever. And yet, for some, it�s just as complicated and difficult as ever. Perhaps this will give you some ideas to advance your black and white photography.Editor's Note: This is a guest blogpost by Moose PetersonWatch B&W Movies like Casa BlancaI�m a huge fan of B&W movies from the 40s and 50s!

I watch the plot, but even more so, I watch the lighting! They couldn�t use color to pull our attention around; they had to light to do that, using shades to tell their story.

Mystery, death, love, hate, jealousy�they said them all with light! You can watch and learn a lot about B&W photography from these old movies. Keep in mind that everyone watches them. The public has certain preconceived visual concepts because of them. Learn them, explore them, and exploit them, and you can vastly improve your B&W photography! Contrast is Your Friend!Traditionally, black and white photography has been a contrasty medium. In color photography, big contrast is often discouraged.

In the days of film, we often would attach a red filter when shooting black and white, just to increase the contrast. In this example, because of the large boulder, the bald skies of Alabama Hills go very dark, thus making the boulder visibly pop. Looking under the boulder, you can see the heavy shadow, telling you it�s a contrasty condition. Flat Light has Lots to OfferAnd the exact opposite is true as well!

Flat light, or light which has no giant range of exposure, can make for dramatic B&W images. Typically, though, this requires that you look at the elements, and find one or more deep blacks that grab the eye. In this case, the falling snow is flattening out the light, though the snow on the ground sets the stage. The wet, black road in the center of the frame takes the eye through the image, and then the speckles of black bring the eye back down.

Standing there, you wouldn�t have thought there was a photo, and that�s because of the flat light. Black Makes White Black and white photography tips and techniques is a favorite trick of mine: making the darks darker so the lights appear brighter. By association�and nothing else�when we make darks go darker, the mind just assumes the other elements have to be brighter, even though in reality they are not. This downpour over Bridgeport Reservoir is an example of that.

In this case, I knew what was possible in the darkroom that would pull that black down, making that small microburst really pop. This is not what I saw standing there. It was a pretty even gray sky. The only difference is that the microburst was reflecting light, and the background was not.

That�s all that was required to make it pop in post. Graphics Make for Bigger DramaI just love vanishing black and white photography tips and techniques When you can include those in any B&W photo, you have a visually powerful image. In this case, with this little rail station in Upper NY, the architecture lends itself perfectly to the drama of B&W. The long, narrow construction, the gingerbread pattern, and the bright rails leading off into the distance take the eye to the stormy skies, which bring you right back to the front of the station.

Because it�s by the roof line, the bright spot in the sky helps with the competing pattern of the gingerbread. Gotta Have a Clean White and a Clean BlackIf there is one thing you need in a B&W photo, if nothing else, it is a clean white and a clean black. Is this a rule? No, it is merely a starting point in your thinking, capturing an� Home� On Location� Featured Stories� Favorite Places� Travel� Photography Gear� Cameras� Lenses� Printers & Paper� Photo Editing Software� Camera Tripods & Supports� Photo Accessories� Tips & Techniques� Nature & Landscapes� Wildlife Techniques� Travel Photography� Sports & Adventures� Photo Editing Tips� Printing & Output� Photo Tip Of The Week� Classes, Tours & Workshops� Pro Perspectives� George Lepp� Frans Lanting� William Neill� Dewitt Jones� Melissa Groo� Amy Gulick� Elizabeth Carmel� Bill Hatcher� David Muench� Assignments� Galleries� Photo Contests� 7th Annual Great Outdoors� The American Landscape 2016� 8th Annual Nature�s Colors� Outdoor Photography Month� Taken With Tamron� Blog� Subscribe Black-and-white photography has the potential to make any photographer better, even if you mainly shoot color.

At the least, it will stretch your creativity and make you see the world differently. It could also refine your way of seeing in some very positive ways. There's a secret to getting the most out of black-and-white, and it's not about the newest black-and-white software.Black-and-white is an elegant, beautiful way of photographing nature. Yet, we aren't necessarily seeing the stunning black-and-white images we might expect today with the superb digital cameras available to everyone.

There's a big difference between a lot of black-and-white work done today, compared to the black-and-white done by the masters from the Ansel Adams era. In that age, black-and-white photos were made from the very start, when the shutter was pressed. Now black-and-white photos often come from simply removing color from a color image. Often that doesn't give you the best results. Tonal ContrastTonal contrast is about contrast in brightness. Anytime you can contrast a subject against a lighter or darker background, you get this contrast.

A challenge: Photographers all too easily remember the color of the scene and how the subject and background contrasted in color. Then they can "see" the subject in the black-and-white photo because of that memory. Unfortunately, the viewer doesn't have that memory and the image isn't effective.If you're not getting a good tonal contrast showing up on your LCD, then you aren't getting a strong black-and-white image with this important contrast.

It's that simple. In fact, of the three contrasts, tonal contrast is the strongest and most dominant. A strong tonal contrast can clearly define and structure your black-and-white photo, but if it's in the wrong place, such as the background, it can overwhelm other contrasts (even if it's out of focus).Tonal contrast isn't just about having a subject that's darker or lighter than the background.

Very rich black-and-white images can also come from tonal contrasts that change gradually but distinctly, from one area to another in an image.Tonal contrast can come from two important things while you're shooting:1 Contrast in brightness of objects in your scene.Move around to put areas of different brightness against each other.2 Light and shadow.Find ways to use light and shadow to create contrast in tonality.Use your LCD and its display of a black-and-white image to show you the inherent contrast in the brightness of objects and how light is creating contrast.Black-And-White Isn't Color RemovalIf you remember nothing else about black-and-white photography, remember this�it's not about the removal of color.

Black-and-white requires its own way of seeing, and you learn that seeing from shooting in black-and-white, not from using software.All photographers should take time to shoot in black-and-white. I've seen how it makes photographers better, and it can energize you because it pushes you to find new ways of taking pictures.

I often take time to shoot just in black-and-white to refine my photography and break up patterns that may keep me from being my best.All advanced digital cameras will allow you to shoot in black-and-white, but there's a trick to doing this that will give you more control and help you learn more easily. Shoot RAW + JPEG. This gives you a black-and-white JPEG image and a color RAW file.

Everything you shoot will now appear as black-and-white on your LCD, so you can actually see and control the black-and-white image as you shoot. Textural ContrastA very rich and useful contrast for black-and-white landscape photography is textural contrast (it also works well for other types of photography, but it's especially good for landscapes).

This is any contrast in texture between two objects or areas in a photograph.Now, this isn't simply about seeing and photographing texture (although that can be interesting). It's about looking for the contrast between textures. A very obvious change in texture is between the fine detail of a forest covering the side of a mountain next to the smooth water of a lake.

A rough boulder with big texture might contrast with the refined texture of a wildflower. A smooth stream can contrast with the rough texture of itThanks to digital technology, monochrome photography is easier today than ever before. Check out these six black and white photography tips for getting great results.

1. Shoot RAW + JPEGThe best monochrome conversions are made by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome Picture Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white.As many photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment.Many cameras are also capable of producing decent in-camera monochrome images these days and it�s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like.Because compact system cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot.DSLR users can also do this if they activate their camera�s live view system, but the usually slower responses mean that many will find it preferable or check the image on the screen post-capture.

2. Look for Contrast, Shape and TextureThe complimentary and opposing colours that bring a colour image to life are all reduced to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out.In colour photography, for example, your eye would immediately be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and dull straight from the camera. Fortunately, it�s possible to work adjust the brightness of these two colours separately to introduce some contrast.

However, a good starting point is to look for scenes with tonal contrast.There are always exceptions, but as a general rule look for scenes that contain some strong blacks and whites.This can be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use.

The brightness of the bark of a silver birch tree for example, could inject some contrast (and interest) in to a woodland scene.Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more.

Look for shapes, patterns and textures in a scene and move around to find the best composition. 3. Try Long ExposureLong exposure shots can work really well in monochrome photography, especially where there�s moving water or clouds.During the exposure the highlights of the water, for example, are recorded across a wider area than they would with a short exposure and this can help enhance tonal contrast.The blurring of the movement also adds textural contrast with any solid objects in the frame.

If necessary, use a neutral density filter such as Lee Filters� Big Stopper or Little Stopper to reduce exposure and extend shutter speed (by 10 and 4 stops respectively).Naturally, when exposures extend beyond about 1/60 sec a tripod is required to keep the camera still and avoid blurring. It�s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

4. Use FiltersGraduated neutral density (AKA ND grad) and polarizing filters are just as useful in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more useful. An ND grad is helpful when you want to retain detail in a bright sky while a polarizing filter can be used to reduce reflections and boost contrast.

Alternatively, consider taking two or more shots with different exposures to create a high dynamic range (HDR) composite.Don�t be afraid to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot.Coloured filters, which are an essential tool for monochrome film photographers, can also be useful for manipulating contrast in digital images.They work by darkening objects of their opposite colour while lightening objects of their own.

An orange filter, for example, will darken the blue of the sky while a green one will lighten foliage. 5. Take ControlAlthough coloured filters can still be used to manipulate contrast when shooting digital black and white images, it�s more common to save this work until the processing stage.Until a few years ago Photoshop�s Channel Mixer was the preferred means of turning colour images monochrome, but now Adobe Camera Raw has more powerful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image.It�s possible to adjust one of these colours to make it anything from white to black with the sliding control.However, it3 Ways to Make a Sky Selection Using Photoshop How to Create an Infrared Effect in Photoshop How to Quickly Remove Dirt Spots Using Median in Photoshop A Guide to Black and White Conversion in Photoshop dPS Writer's Favorite Lens: Nikon 35mm f/1.8G Review: Inexpensive Time Lapse with the YI 4K Action Camera Overview of the Lensbaby System - Is it for you?

5 Critical Mistakes to Avoid When Buying New Camera Gear 0 0 CommentsContinuing the Black and White Photography theme we�ve been on lately in the latest forum assignment (where the photos featured in this post were submitted) I thought I�d share five pretty random Black and White Photography Tips.

Black and White Photography Tips 1. Shoot in RAWI know many readers of DPS can�t shoot in RAW (because their camera doesn�t offer it) or don�t shoot in RAW (because they either don�t know how or don�t like to) but for the most control in the post production phase of converting your color images into black and white ones � you�ll want to shoot in RAW if your camera does allow it. Of course shooting in JPEG doesn�t stop you shooting in black and white � but if it�s an option, give RAW a go, you might be surprised by what it offers you in post production.

More on RAW vs JPEG here.2. Shoot in ColorIf your camera doesn�t allow you to shoot in RAW (or you choose not to) � shoot in color and do your conversion to black and white later on your computer.While most digital cameras offer you the option to shoot in Black and White (and can produce some reasonable results) you have more control over your end results if you have the color data to work with in your conversion on your computer.

(read more on the choice between shooting in black and white or post production conversion).Update: There is an exception to shooting in Color and it�s when you�re taking note of point 1 above (shooting in RAW).

When shooting in RAW and switching to Black and White mode you see your results in the LCD in black and white but the camera actually records all of the information (including color) � the best of both worlds. But if you�re shooting in JPEG � shoot in color and do the conversion later. Thanks to Joost (in comments) for the reminder to include this. 3. Low ISOShoot with the lowest possible ISO possible. While this is something that most of us do in color photography it is particularly important when it comes to black and white where noise created by ISO can become even more obvious.

If you�re after this �noise� (or grain) you can always add it later in your post production � but it�s harder to go the other way and take noise out.4. When to ShootMany digital photographers actually prefer to shoot images for Black and White in low contrast situations.

So an dark or overcast day can be a great time to shoot out door shots.Ironically these are the days that those who shoot only in color sit at home complaining about the �poor light�.

So next time you find yourself with a dark and gloomy day � shoot some black and white shots. 5. CompositionMost of the general tips on how to compose or frame a good shot apply just as well to black and white photography as they do when shooting in color � however the main obvious difference is that you�re unable to use color to lead the eye into or around your shot.

This means you need to train yourself to look at shapes, tones and textures in your frame as points black and white photography tips and techniques interest. Pay particularly attention to shadows and highlights which will become a feature of your shot. Read more on Black and White Photography at Key Ingredients for Black and White Photography.UPDATE: Learn more about Black and White Photography with our new Essential Guide to Black and White Photography. Darren Rowseis the editor and founder of Digital Photography School and SnapnDeals.He lives in Melbourne Australia and is also the editor of the ProBlogger Blog Tips.

Follow him on Instagram, on Twitter at @digitalPS or on Google+. I can say that by looking over your website�s posts, remarks that there are many different ideas on the similar topic. To be honest it is refreshing to find fellow opinionated people, it is a good website, i like the simplicity of your content and i appreciate your words, which gave me very useful information.� Lovely article. I tried it to process this bright yellow sunflower in black and white using the tips given�. I used the 100 iso setting, and also chose a cloudy day�Wonderful article.

I tried this image � a yellow sunflower in black and white�. it seemed to have lovely shades of grey�� Interesting article, I like the black and white dea lto shoot in RAW b/w to see the shoot in the LCD screen and still have all color information in the RAW file to edit the images at computer, Clever idea ??This is my first view at your website but definitely will come back as i also recently started Photographing again and made my own website about it, fotograf.gr is anyone is interested� I have recently purchased my first SLR.

Previously used advanced point and shoot. I